Wow. Dance to the Radio! was a wonderful way to kick off my month of performances. I’m proud of the (new! never before read out!) work I debuted from How To Have A Body tonight, and everybody else who performed *seriously* blew me away. Really. Seriously. I was moved to tears more than once.
I think now I am officially the Most Exhaust-O-Gina in all the land, though. I am so glad I can take tomorrow to recharge.
Now in its fifth year, Girl Talk is a critically acclaimed multi-media performance show promoting dialogue about relationships of all kinds between queer transgender women, queer cisgender women, and genderqueer people. Queer cis women, queer trans women, and genderqueer people are allies, friends, support systems, lovers, and partners to each other every day — from activism that includes everything from Take Back the Night to Camp Trans; to supporting each other in having “othered” bodies in a world that is obsessed with idealized body types; to loving, having sex, and building family with each other in a world that wants us to disappear. At Girl Talk, trans and cis women and genderqueer artists create a wide range of artistic work about their relationships of all kinds – sexual and romantic, friendships, and chosen and blood family. Join us for a night of performance and conversation dedicated to building sisterhood and queer community for ALL women.
June 27
Girl Talk
Curated by: Gina de Vries, Elena Rose, & Julia Serano
African-American Arts & Culture Complex (762 Fulton Street @ Webster, San Francisco)
7:30pm
$12 – $20 sliding scale online; $15 – $20 at the door.
Web: http://queerculturalcenter.org/NQAF/performance13/girl-talk/
Buy Tickets: http://www.brownpapertickets.com/event/377312
Facebook Event Page: https://www.facebook.com/events/331871970271565
“Like” Girl Talk on Facebook: https://www.facebook.com/GirlTalkShow
Twitter: @queershoulder (Gina de Vries) and @JuliaSerano (Julia Serano).
ARTISTS’ BIOS

Dominika Bednarska holds a PhD in English and Disability Studies from U.C. Berkeley, and her new book of poetry, Smothered Breath, is forthcoming from Tulip Pulp Press. Her writing has appeared in The Bellevue Literary Review, Petrichor Machine, Blast Furnace, A Bad Penny Review, B (A Barbie Anthology), Journey to Crone, Avatar Review, Storm Cellar, Palimpsest, Muddy River Poetry Review, Wordgathering, Ghosting the Atom: Reflections After the Bomb, What I Want From You: An Anthology of East Bay Lesbian Poets, Cripping Femme, The Culture of Efficiency: Technology in Everyday Life, and Nobody Passes: Rejecting the Rules of Gender and Conformity, a Lambda nominee. Her show My Body Love Story kicked off the National Queer Arts Festival in 2012. For more information, go to dominikabednarskaspeaks.blogspot.com or become a fan on Facebook.

Gina de Vries is a genderqueer femme, a queer Paisano, a devout pervert, and a writer, performer, activist, and cultural worker living, writing, and loving in San Francisco. Ze is the founder and co-curator (with Elena Rose and Julia Serano) of Girl Talk, and is thrilled to see the show going strong in its fifth year. Gina has performed, taught, and lectured everywhere from chapels to leatherbar backrooms to the Ivy Leagues to community colleges. Her university appearances include Harvard, Yale, Reed, The Pacific School of Religion, UW-Madison, and Hampshire. Ze is the founder and facilitator of Sex Workers’ Writing Workshop, a writing class for current & former sex workers at San Francisco’s Center for Sex & Culture (where she also serves on the Advisory Board).
Gina’s publications include That’s Revolting!, Bound to Struggle, Baby Remember My Name, The San Francisco Bay Guardian, $pread: illuminating the sex industry, Curve, Coming & Crying, Take Me There: Trans & Genderqueer Erotica, The Revolution Starts at Home, and Why Are Faggots So Afraid of Faggots. Ze is currently pursuing her Master of Fine Arts in Fiction Writing at San Francisco State University, where ze is at work on How To Have A Body, a book of experimental prose about, well, how to have a body. Find out more at ginadevries.com, and keep track of hir on the daily at queershoulder.tumblr.com and howtohaveabody.tumblr.com.
DavEnd is a tenderhearted, genderqueer, accordion wielding songwriter, performing artist and designer based in San Francisco. DavEnd has released two studio albums (How To Hold Your Own Hand, Fruits Commonly Mistaken For Vegetables) and for the past 6 years, has been touring extensively in the U.S., performing at queer teen centers, theatres, festivals, colleges, and backyards. Between tours, Ms. End designs costumes, and most recently has been producing a new musical, costume designing and dancing in production numbers for songwriter Kimya Dawson, appearing in Taylor Mac’s epic 5 hour play “The Lily’s Revenge” and touring the US with Sister Spit. DavEnd’s current project, “Fabulous Artistic Guys Get Overtly Traumatized Sometimes: The Musical!”, brings together the worlds of music and radical performance art in a theatrical extravaganza, exploring the effects of heterosexism and street harassment on the development of queer and trans identity. Photo: Photo: Amber Gregory

Tara Hardy is the working-class queer femme poet who writes and teaches in Seattle, Washington. She is the founder and current creative director of Bent, a writing institute for LGBTIQ people based in Seattle. She is the writer-in-residence at Richard Hugo House in Seattle, and an alumnae of Hedgebrook. In 2002, she was elected by the people and named by the city council as Seattle’s Poet Populist, or poet of the people, and has appeared on seven National Poetry Slam stages. She holds an MFA from Vermont College in fiction writing, and an MSW from the University of Michigan in community organizing. Tara is a daughter of the United Auto Workers, and worked in the Battered Women’s Movement for 15 years. She has toured the United States with Michelle Tea in the Stromboli’s Island show, as well as with Oratrix, an all-girl, all-queer Seattle-based spoken word troupe. She is a member of the Bullhorn Collective, and has performed with the Rolling Thunder Democracy Tour, Vancouver’s Rock for Choice, various Sister Spit shows, the Washington Poet’s Association’s Burning Word festival, Portland’s Youth Pride, San Francisco’s Harvey Milk Institute, and at the Minneapolis Orpheum Theater on the National Poetry Slam team finals stage. Tara’s work appears in Without a Net, Sex and Single Girls, Fusion, Blythe House Quarterly, Brazen, Switched-on-Gutenberg, and her self-published chapbooks Vs and Rant-some. Recordings of her work can be found on Vox Populi Live (the best of the Seattle Poetry Festival), the Seattle Poetry Slam Live CD, and her self-produced CD Dirty River.

Dr. Carol Queen is a writer and cultural sexologist with a Ph.D. in human sexuality. She is a noted essayist whose work has appeared in dozens of anthologies. Her essay collection, Real Live Nude Girl: Chronicles of Sex-Positive Culture, was published in 1997 and reissued in 2002; it is read in university classes across America. Her erotic stories can be found in several Best American Erotica volumes, among many other anthologies; her erotic novel, The Leather Daddy and the Femme, was published in 1998 and won a Firecracker Alternative Book Award the following year. A “director’s cut” edition with new material came out in 2003. Her first book, Exhibitionism for the Shy, published in 1995, explores issues of erotic self-esteem and enhancement and was reissued with new material in 2009. She is co-editor of the anthologies Best Bisexual Erotica (volumes One and Two), Sex Spoken Here, Switch Hitters, and PoMoSexuals; the latter won a Lambda Literary Award in 1998. She’s also edited Whipped! and two volumes of 5 Minute Erotica, short-short erotic fiction.
Queen is the founding director of the Center for Sex & Culture in San Francisco (www.sexandculture.org) and works as staff sexologist and curator of the Antique Vibrator Museum at Good Vibrations, the women-founded sex toy and bookstore in San Francisco, where she has worked since 1990; she blogs for the Good Vibrations web magazine at www.goodvibes.com. She has addressed numerous scholarly and professional conferences, including the Society for the Scientific Study of Sexuality, the International Condom Conference, the International Conference on Prostitution, and the International Conference on Pornography; she frequently addresses college as well as general and specialized audiences. In February 2009 she debated the question of promiscuity (“Virtue or vice?”) for the Oxford Union at Oxford University, England.
Carol Queen is active on behalf of progressive sex education and sexual minority issues. Perhaps most closely affiliated with the bisexual and sex work communities, she has been speaking publicly about non-mainstream sexualities, from lesbian to leather, for over 35 years. Her perspective in addressing sexual diversity incorporates personal experience, accurate sex information, and informed cultural commentary. For more information (including CV and bibliography) see her website: www.carolqueen.com.

Elena Rose, a Filipina-Ashkenazic mixed-class trans lesbian mestiza, rode stories out of rural Oregon and hasn’t stopped making words since. Raised as a curandera troublemaker, she writes online as “Little Light,” travels the country as a preacher and poet, and has dedicated herself to the labor of radical love, monster theology, and justice for those who live at the edges.
In her third year as “Girl Talk” co-curator and fifth as a performer, Rose has also sweet-talked bloody microphones with the Speak! Radical Women of Color Media Collective, Seattle’s TumbleMe Productions, the Bay’s own Mangos With Chili, and in sold-out shows up and down the Pacific coast. Her writing has been featured in Aorta and Make/shift magazines and everywhere from law school classrooms to bathroom mirrors, and her first book, “Mountain of Myrrh,” is forthcoming from Dinah Press. She lives, works, and attends seminary in the East Bay, and haunts abandoned places on the weekends.”

Julia Serano is an Oakland, California-based writer, performer, and co-curator of Girl Talk. She is best known for her 2007 book Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity, which garnered rave reviews—The Advocate placed it on their list of “Best Non-Fiction Transgender Books,” and readers of Ms. Magazine ranked it #16 on their list of the “100 Best Non-Fiction Books of All Time.” Her other writings have appeared in anthologies (including Yes Means Yes: Visions of Female Sexual Power and A World Without Rape, Gender Outlaws: The Next Generation and Word Warriors: 30 Leaders in the Women’s Spoken Word Movement) and in feminist, queer, pop culture and literary magazines and websites such as Bitch Magazine, AlterNet.org, Out, Ms. Magazine blog, Feministing.com, and make/shift.
Julia has gained notoriety in feminist, queer and transgender circles for her unique insights into gender, and her writings have been used as teaching materials in queer and gender studies courses across North America. Her second full-length book, tentatively titled Excluded: Making Feminist and Queer Movements More Inclusive, is slated to be published by Seal Press in the Fall of 2013. juliaserano.com


This Friday, Friday, FRIDAY (June 7th), I will have the great honor of reading at Dance to the Radio! with a bunch of other fabulously talented folks.
I will be reading from How To Have A Body (my new manuscript in progress). My piece is about whirlwind love, ecstatic sex, terrible heartbreak, and the last minute & 18 seconds of Satellite of Love. Also there is a lot of sad Lou Reed, obscure David Bowie, & screamy Patti Smith in there. ‘Cause that’s how I (rock &) roll. ;)
Come out, come out, folks.
I’m very touched, humbled, & excited about the attention the posts in this blog are getting lately. It is especially touching to hear that this work is resonating for other folks with disabilities & chronic illnesses, and that it is simultaneously striking chords for non-disabled people, too. I wasn’t expecting such a big (and positive) response to the work I’ve been posting, esp. because much of it still feels so drafty & in-process for me.
The support is heartening, and I am grateful. Thank you, all of you.
<3
I believe in giving thanx where thanx is due.
Oh, man, how could I forget to include this in the MFA photos I posted a couple days ago?
Mea culpa, sweet editors. I couldn’t have done it without you.
Wow. I noticed just now that this quote from the How To Have A Body blog has hit 50 notes, most of them reblogs & “hearts” from people I don’t know at all.
I’m a little amazed. I wrote it in a 2am fit of pique last winter, and the MFA workshop I took it to for critique had a lot of issues with/questions about it. I posted it this week wondering if anyone would notice it at all (especially on such a low-traffic blog).
Point being, I’m very touched that it is resonating with people. Thank you.
Master of FIIIIIIIIIINE Arts!
Do not mistake me for being good at this whole having a body thing. Please, please don’t. Do not mistake me for being an Expert or a Good Example. Do not mistake me for a Role Model. For every yoga class I have ever taken there are a hundred more times I’ve stayed home, in pain or cranky,…
I’ve posted a bunch of work over at the How To Have A Body blog in the last 12 hours, to celebrate (nearly! nearly!) being done with my Thesis.
I go in to get the book bound at the school print shop in a couple hours. Wish me luck.
As I get older, as time goes by, I care less and less and less about whether someone can talk pretty. I care about action. At the end of the day, I don’t care how well you can articulate your perfectly punctuated anti-oppressive political points, I don’t care how many buzzwords fall from your mouth, I don’t care if you name-drop a thousand acronyms or theorists – I care if you will show up. I care if you will fucking show up.
And I know that showing up is complicated when you struggle with whether or not you can get outta bed. Sometimes showing up means biking to a friend’s house with coconut water & ginger ale & Saltines when she has stomach flu. Sometimes it means sharing your leftover pain meds from your emergency root canal when a friend has a pain spike. Sometimes it means making soup in a friend’s kitchen, stocking his fridge & freezer, blowing him a kiss across his bedroom & miming tucking him up under his sheets, because you can’t actually tuck him in or kiss him good-bye, because your own immune system is fragile enough as it is. And sometimes it means texting a little emoticon heart from your own sick bed, where you are laid up with a shoulder that aches so bad when the weather gets damp (which is a lot in San Francisco), or stomach that can’t digest a fucking thing, or clogged-up sinuses, or a throat on fire, or a wet raspy cough. Sometimes it just means saying Honey, I love you. Honey, my sick heart reaches out to your sick heart. Honey, I wish I could be there, and I can’t, but I can do this. You mean the world to me. Sister. Brother. Love.
”(via howtohaveabody)
I’m dealing with my stress about turning in my Thesis tomorrow (!!!!!!) by posting bits I like on the blog as I read through/edit/format. Enjoy!
SF State Comrades (and any friends & fans who might wanna trek out to SFSU to see me):
I will be reading from “How To Have A Body” (aka my Thesis) at the SFSU MFA/MA Thesis Reading on Thursday.Party time! Come out & see me do my last hurrah at State!This is today at 5pm!
Today! Come out! I would really really really value having friends in the audience for this!
I flie my Thesis on Friday. The next few days are gonna be interesting. And this is perhaps cheezy, but if y’all have any support/sweetness/prayer to spare: I think I could use it. I will hella be okay, but I am pretty stressed out right now.
That was such a sweet reading. Thank you, thank you, thank you to everyone who came out. Especially big thanks to everyone who offered me such generous and enthusiastic commentary on my new work. It means a lot to know that my writing spoke to so many people tonight.
A night of genderQueer readings with Jiz Lee, Sam Rosenthal, Carol Queen, and more!
Saturday, May 4, 2013 7:00pm until 9:30pm
An exciting evening of readings from beyond the gender binary. Doors at 7pm, readings at 7:30
Center for Sex & Culture (1349 Mission btw 9th and 10th)
SAM ROSENTHAL visits from Brooklyn to present work from his erotic genderQueer romance novel Rye. Genderqueer porn star JIZ LEE’s reads new work; their writing recently appeared in the Feminist Porn Book! CAROL QUEEN, author, sexologist, and pillar of the sex-positive feminism movement presents new work of personal discovery and insight. Plus more writings from people along the gender spectrum and those who love them including: Gina de Vries, Seeley Quest, and Marilyn Roxie.
Suggested donation $5-20 sliding scale, NOTAFLOF.
PEOPLES! I have just been added to this line-up and I am pumped! And I’m gonna be reading selections from How To Have A Body, the manuscript in progress, which I have never read out from before. So you should hella come out for it! :)
Peoples! Another reminder that this is tomorrow and I’d love to see you in the audience.
Come out, come out! :)This is tonight!
Tonight tonight tonight! :)
A night of genderQueer readings with Jiz Lee, Sam Rosenthal, Carol Queen, and more!
Saturday, May 4, 2013 7:00pm until 9:30pm
An exciting evening of readings from beyond the gender binary. Doors at 7pm, readings at 7:30
Center for Sex & Culture (1349 Mission btw 9th and 10th)
SAM ROSENTHAL visits from Brooklyn to present work from his erotic genderQueer romance novel Rye. Genderqueer porn star JIZ LEE’s reads new work; their writing recently appeared in the Feminist Porn Book! CAROL QUEEN, author, sexologist, and pillar of the sex-positive feminism movement presents new work of personal discovery and insight. Plus more writings from people along the gender spectrum and those who love them including: Gina de Vries, Seeley Quest, and Marilyn Roxie.
Suggested donation $5-20 sliding scale, NOTAFLOF.
PEOPLES! I have just been added to this line-up and I am pumped! And I’m gonna be reading selections from How To Have A Body, the manuscript in progress, which I have never read out from before. So you should hella come out for it! :)
Peoples! Another reminder that this is tomorrow and I’d love to see you in the audience.
Come out, come out! :)