THE LOST GAY BARS OF SAN FRANCISCO
Looking through now defunct gay magazines of the sexual revolution — Vector, After Dark, David — is a bit like finding a ticket to Atlantis (the sunken continent, not the gay cruise). But it’s not just the hand-drawn ads or 50 cent drink specials or the names — well maybe the names! The Purple Pickle, the Elephant Walk, the Gilded Cage, the Giraffe. Peke’s Palace, Connie’s “Why Not?,” Cissy’s Saloon. Mona’s Candlelight. Paper Doll, Paradox, Old Crow, Nothing Special. A mixture of old queens and young bucks. One culture that ended in liberation, and another that fell in revolution.
I recently began a mapping project of lost San Francisco gay bars using ads from magazines, matchbooks from archives and mentions in gay papers to try and reconstruct San Francisco in the years before the epidemic. What struck me most is that —in a far more hostile era there seemed to be far less ghettoization. Certainly the Castro, Polk and South of Market were still gay centers — but there were also bars in traditionally “straight” neighborhoods as well — North Beach and the Haight, the Marina and the Presidio. The Financial District boasted nearly a dozen. I don’t have a good explanation, although I’d love to hear theories.
Recently, two historic San Francisco bars — Marlena’s and the SF Eagle threatened to close. In New York, the Rawhide just went belly up. In Los Angeles, La Barcita and the Other Side. With greater social acceptance (and Grindr) we’re losing the crucial spaces that helped define us our culture. It may be inevitable, but forgetting them is not.
You can view a Google Map of the Project below.:
View Lost Gay Bars of San Francisco in a larger map(I’ve opened it up for other collaborators to add them in. Where possible, I’ve added the date the bar opened.)
Sources: Matchbooks of the GLBT Historical Society, the Cinch List of Taverns, old issues of Vector, After Dark, QC and David, this piece on Found SF.
—Mike
I cannot begin to express how thrilled and grateful I am that this project exists.
This is fascinating. I’m so glad it exists.
I’d be interested to know if these were all gay men’s bars, or if some of these bars were more mixed (or even predominantly not-gay-men) in clientele?
Queers do a lot of segregating/separatism across orientation and gender lines, but queers also do a lot of cross-pollination/support/collaboration along those same lines. So.
David Wojnarowicz, A Painting to Replace the British Monument in Buenos Aires, 1984
GRAN FURY
ALL PEOPLE WITH AIDS ARE INNOCENT , 1989Manhattan, NYC
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(via odofemi)
Wow. Series of interviews with Lou Sullivan, from about 1988-1990. He talks about being a gay trans man in the larger gay men’s community (as far as I know, he was one of the first — if not the first? — openly gay trans men to medically transition and make his experience public), living with AIDS and AIDS activism, and his relationship with his disabled sister. This is truly powerful stuff. Thank you to Rev. Megan Rohrer and the GLBT Historical Society for making this available on youtube, and to transartorialism for posting.
transartorialism:
i wish i knew more about lou sullivan.
“defining a new syndrome…”
(lots of potentially triggering stuff in this video, btw)
Very, very happy to read this on World AIDS Day.
Keep fighting the good fight, Cyd.
I am going to this tomorrow! You should go too, if you can figure out a way to get to Stanford. My very brilliant friend Dorian Katz curated the event. I’m so excited to see what comes out of this discussion.
Art Censorship Issues: a Screening of Wojnarowicz’ “Fire in My Belly” and Panel Discussion
Wednesday, January 12, 2011 · 5:00pm – 8:00pm
Annenberg Auditorium – Stanford University, 435 Lasuen Mall, Stanford, CA 94305
In response to the recent censorship of the exhibition “Hide/Seek: Difference and Desire in American Portraiture” at the National Portrait Gallery in Washington, DC, Stanford University’s Department of Art and Art History and SICA invites you to a special screening of the censored film “Fire in My Belly” by David Wojnarowicz and a panel discussion on art censorship with faculty members, students and cultural leaders from the Bay Area. Regular readers may remember Marlene’s discussion of this situation here.
Moderated by Nancy Troy, Chair, Art & Art History Department
Featuring:
Enrique Chagoya, Professor, Art Practice
Sarah Curran, Arts Programmer, SiCa
Julia Haas, Co-founder, hideseek.org
Petra Dierkes-Thrun, Visiting Assistant Professor, Comparative Literature
M. Renee Huff, Esq, ITL Law, PC
Dorian Katz, MFA Candidate, Art Practice
Larry Rinder, Director, Berkeley Art Museum
Matthew Tiews, Executive Director of Arts Program, SiCa
hideseek.org lists screenings of the film across the globe and has links to relevant articles.